Ep. 04: Paul Bradley Carr, Part 1
We invited former tech journalist and bestselling author Paul Bradley Carr for a rollicking discussion about his new novel, The Confessions. It features an all-knowing Artificial Intelligence that doesn’t want to destroy the world—because it was trained by reading fiction. He also shared his polite and laudatory thoughts about several leading tech industry personalities. Plus, our discussion of Nobel Prize winner Patrick Modiano’s latest novel, Ballerina, inspired Nathan to invent the cool new subgenre Proustian Noir.
We invited former tech journalist and bestselling author Paul Bradley Carr for a rollicking discussion about his new novel, The Confessions. It features an all-knowing Artificial Intelligence that doesn’t want to destroy the world—because it was trained by reading fiction. He also shared his polite and laudatory thoughts about several leading tech industry personalities. Plus, our discussion of Nobel Prize winner Patrick Modiano’s latest novel, Ballerina, inspired Nathan to invent the cool new subgenre Proustian Noir.
Works Cited this episode:
The Confessions, Paul Bradley Carr
The Immortal King Rao, Vauhini Vara
The Candy House, Jennifer Egan
Everyone in my Family has Killed Someone, Benjamin Stevenson
“We Will All go Together When We Go,” Tom Lehrer
1984, George Orwell
A Brief History of Time, Stephen Hawking
Hercule Poirot continuation novels, Sophie Hannah
The Bulgari Connection, Fay Weldon
State of Terror, Hillary Rodham Clinton and Louise Penny
The Lord of the Rings, J.R.R. Tolkien
The Brothers Karamazov, Fyodor Dostoevsky
War and Peace, Leo Tolstoy
Anna Karenina, Leo Tolstoy
Polostan, Neal Stephenson
In Search of Lost Time, Marcel Proust
Paris Nocturne, Patrick Modiano
Breathless, dir. Jean-Luc Godard
The Three Musketeers, Alexandre Dumas
The Elementary Particles, Michel Houellebecq
Sympathy for the Traitor: A Translation Manifesto, Mark Polizotti
Ep. 03: Dan Eastman
We were joined by author and poet Dan Eastman for a discussion about confessional poetry, second-person POV, and the best memes. I ask you: should poems mention Facebook? Still waiting on our podcast name during this episode. Nice of Dan to not make fun of us for this.
We were joined by author and poet Dan Eastman for a discussion about confessional poetry, second-person POV, and the best memes. I ask you: should poems mention Facebook? Still waiting on our podcast name during this episode. Nice of Dan to not make fun of us for this.
Dan Eastman is the author of Watertown and the second-person POV story “Parris Enflames.”
Works Cited this episode:
Pudd’nhead Wilson, Mark Twain
“Winesburg, Ohio,” Sherwood Anderson
A Nightmare on Elm Street, dir. Wes Craven
Human Acts, Han Kang
Bright Lights, Big City, Jay McInerney
“Orientation,” Daniel Orozco
Slacker, dir. Richard Linklater
The Choose Your Own Adventure series
“Cormac McCarthy’s Secret Muse Breaks Her Silence After Half a Century,” Vanity Fair, by Vincenzo Barney
Dutch, Edmund Morris
“A Debate Recap with Song, Dance, and Joseph Gordon-Levitt,” The New York Times, video by The Gregory Brothers
Natural Born Killers, dir. Quentin Tarantino
The People vs. Larry Flynt, dir. Miloš Forman
Episode 02: MFA Authors
Or: Can Nate and Mason guess whether an author has an MFA simply by reading the first page of their novel?
Nate and Mason both have MFAs, but do they go around telling everyone and demanding book deals because of it? Well, yes, if you’re offering. But anyway, a social media firestorm about a take about Sally Rooney not having an MFA got us thinking: Are They Good and Should Anyone Care? Then Nate and Mason make each other guess if authors have an MFA based on excerpts of their work. (Still no name for the podcast when we recorded this one.)
Works Cited this episode:
“A Roon with a View,” Bookforum, Brandon Taylor
Invisible Cities, Italo Calvino
Colored Television, Danzy Senna
“How has the MFA Changed the Contemporary Novel?,” The Atlantic, Richard Jean So and Andrew Piper
The Killer is Dying, James Sallis
All the Pretty Horses, Cormac McCarthy
Blood Meridian, Cormac McCarthy
“Flings,” Justin Taylor
In Five Years, Rebecca Serle
Blade, dir. Stephen Norrington
“Liking, Wanting, and the Incentive-Sensitization Theory of Addiction,” American Psychologist, Kent C. Berridge and Terry E. Robinson
The Zone of Interest, dir. Jonathan Glazer
Buffy the Vampire Slayer (TV), created by Joss Whedon
To Kill a Mockingbird, Harper Lee
The Shawshank Redemption, dir. Frank Darabont
Pulp Fiction, dir. Quentin Tarantino
Billy Madison, dir. Tamra Davis
A Strangeness in my Mind, Orhan Pamuk
Lolita, Vladimir Nabokov
Memento, dir. Christopher Nolan
Jude the Obscure, Thomas Hardy
Henry Danger, created by Dan Schneider
Ninjago, The Lego Group
Episode 01: Is Reading Good?
We hit the big topic in our first episode. And: why are there so many orphans in YA novels?
Specifically, is reading fiction inherently good, as well as instrumentally good (meaning, it’s good for some other reason, like making you smarter)? We grapple with this, mostly by talking. The podcast was called “Untitled Podcast” when we recorded this one. Also: Why do so many YA novels use orphans as protagonists?
Works Cited in this episode:
The Harry Potter series by J.K. Rowling
Impossible Creatures, Katherine Rundell
“Can 35 Million Book Buyers be Wrong? Yes,” Harold Bloom, The Wall Street Journal
“I said Marvel Movies Aren’t Cinema. Let me Explain,” Martin Scorsese, The New York Times
The Murderbot Diaries series by Martha Wells
Invisible Man, Ralph Ellison
Pricksongs and Descants, Robert Coover
Moonrise Kingdom, dir. Wes Anderson
Oedipus Rex, Sophocles
“The Pleasures of Tragedy,” Susan Feagin, American Philosophical Quarterly
Prisoners, dir. Denis Villeneuve
Alice in Wonderland, Lewis Carroll
The Adventures of Huckleberry Finn, Mark Twain
The Lion, the Witch, and the Wardrobe, C.S. Lewis
“Lemon of Troy,” The Simpsons
The Phantom Tollbooth, Norton Juster
The Adventures of Tom Sawyer, Mark Twain
Finding Nemo, dir. Andrew Stanton
Bambi, Walt Disney
The Goldfinch, Donna Tartt
The Hooded Hawk Mystery, Franklin W. Dixon