Episode 22: Nina McConigley
We had a great time with Nina McConigley, author of the new novel How to Commit a Postcolonial Murder, which hits all the beats you want from a book where a character named Agatha Krishna says, “We blame the British.” Nina shared with us her thoughts on how colonialism divided not only countries but selves, and where characters (and real people) find themselves within those divides.
We had a great time with Nina McConigley, author of the new novel How to Commit a Postcolonial Murder, which hits all the beats you want from a book where a character named Agatha Krishna says, “We blame the British.” Nina shared with us her thoughts on how colonialism divided not only countries but selves, and where characters (and real people) find themselves within those divides.
Then, how can you tell if a translated work is good when you don’t know the author’s language? Maybe the translator created something great that isn’t really true to the original version, or brought down a great work with their bad translation. (Note to translators: We think you are cool and the above scenario is purely hypothetical.)
How to Commit a Postcolonial Murder is available now.
Works Cited this Episode:
Angels in America, Tony Kushner
Cowboys and East Indians, Nina McConigley
Murder on the Orient Express, Agatha Christie
Death on the Nile, Agatha Christie
Crime and Punishment, Fyodor Dostoevsky
Sympathy for the Traitor: A Translation Manifesto by Mark Polizzotti
The Odyssey, Homer, translated by Emily Wilson
Beowulf, translated by Seamus Heaney
One Hundred Years of Solitude, by Gabriel Garcia Marquez, translated by Gregory Rabassa
Our Share of Night, Mariana Enriquez, translated by Megan McDowell
On the Soul (De Anima), Aristotle, translated by Hugh Lawson-Tancred
The Divine Comedy, Dante Alighieri, translated by Henry Wadsworth Longfellow
The Hitchhiker’s Guide to the Galaxy, Douglas Adams
Episode 21: PEN/Bingham Award Winner Jared Lemus
We were fortunate to have Jared Lemus, author of the story collection Guatemalan Rhapsody, join us to discuss masculinity and empathy in fiction. Jared recently won the PEN/Robert W. Bingham Prize for debut story collection, and he was also once Nate’s co-worker. (Which is also a noteworthy achievement.)
We were fortunate to have Jared Lemus, author of the story collection Guatemalan Rhapsody, join us to discuss masculinity and empathy in fiction. Jared recently won the PEN/Robert W. Bingham Prize for debut story collection, and he was also once Nate’s co-worker. (Which is also a noteworthy achievement.)
Plus, what if the author was peering over your shoulder while you read their book? They aren’t, but what if you intentionally imagined that they were, and it was up to you to figure out what they’re doing with their writing? This is all just hypothetical and not a real topic from our podcast.
Guatemalan Rhapsody is out now.
Works cited this episode:
How to Commit a Postcolonial Murder, Nina McConigley
Go Tell it on the Mountain, James Baldwin
Giovanni’s Room, James Baldwin
Paradise Lost, John Milton
“The Death of the Author,” Roland Barthes
“The Intentional Fallacy,” W.K. Wimsatt Jr. and M.C. Beardsley
The Sun Also Rises, Ernest Hemingway
The Old Man and the Sea, Ernest Hemingway
A Farewell to Arms, Ernest Hemingway
The Maltese Falcon, Dashiell Hammett
The Epic of Gilgamesh
Beowulf
Episode 20: John Sayles
We’re excited to welcome filmmaker and author John Sayles to the show. John spoke with us about his most recent novel, Crucible, which focuses on the impact that an egocentric automobile magnate’s uninformed plans has on the economy and other populations. Sounds vaguely familiar.
We’re excited to welcome filmmaker and author John Sayles to the show. John spoke with us about his most recent novel, Crucible, which focuses on the impact that an egocentric automobile magnate’s uninformed plans has on the economy and other populations. Sounds vaguely familiar. We also dove into his career, screenwriting vs. writing fiction, and what makes Pittsburgh so great.
Then, our intrepid hosts returned to a topic hinted at last time: how much overlap there is between the books the two of us have read? What a shocker: we both read Moby-Dick!
Crucible by John Sayles is out now
Works cited this episode:
A Moment in the Sun, John Sayles
The Great Gatsby, F. Scott Fitzgerald
Naked Lunch, William S. Burroughs
White Teeth, Zadie Smith
Fear and Loathing in Las Vegas, Hunter S. Thompson
One Hundred Years of Solitude, Gabriel García Márquez
A Game of Thrones, George R.R. Martin
The Girl with the Dragon Tattoo, Stieg Larsson
The Hunger Games, Suzanne Collins
To Kill a Mockingbird, Harper Lee
The Mummy, the Will, and the Crypt, John Bellairs
Want, Lynn Steger Strong
Why We Read Fiction: Theory of Mind and the Novel, Lisa Sunshine
Don’t Skip Out on Me, Willy Vlautin
The Killer is Dying, James Sallis
Pulp Fiction, dir. Quentin Tarantino
The Corrections, Jonathan Franzen
Episode 19: Rejection is Good! And you never read alone
So your manuscript was rejected by another publisher. Will you revise your work to meet the shifting whims of the marketplace, or hold steady to your uncompromising vision, bragging all the while about the rejections you’ve accumulated like tumbleweeds tangled in a barbed wire fence? Meanwhile, we also wonder if one can ever truly read a book alone, or if the various social contexts are inextricable from that experience, like tumbleweeds tangled in a barbed wire fence.
So your manuscript was rejected by another publisher. Will you revise your work to meet the shifting whims of the marketplace, or hold steady to your uncompromising vision, bragging all the while about the rejections you’ve accumulated like tumbleweeds tangled in a barbed wire fence?
Meanwhile, we also wonder if one can ever truly read a book alone, or if the various social contexts are inextricable from that experience, like tumbleweeds tangled in a barbed wire fence.
Works cited this episode:
“Why is everyone suddenly obsessed with reframing rejection?” Brittany Allen, LitHub
This Side of Paradise, F. Scott Fitzgerald
The Great Gatsby, F. Scott Fitzgerald
Tender is the Night, F. Scott Fitzgerald
All the Pretty Horses, Cormac McCarthy
Blood Meridian, Cormac McCarthy
“Host,” David Foster Wallace, The Atlantic
“In Defense of the Traditional Review,” Richard Brody, The New Yorker
Middlemarch, George Eliot
Sundial, Catriona Ward
Piranesi, Susanna Clarke
She’s Come Undone, Wally Lamb
I’m Losing You, Bruce Wagner
Don Quixote, Miguel de Cervantes
Moby-Dick, Herman Melville
“The Couch,” Seinfeld, created by Larry David and Jerry Seinfeld
Beloved, Toni Morrison
Episode 18: Author Tom Ryan and Movies Being Too Literal
Will Nancy Drew, the Hardy Boys, Encyclopedia Brown, or any other fictional teen sleuths ever grow up? We spoke with Tom Ryan, whose novel We Had a Hunch throws adult versions of kid detectives into harrowing grown-up situations, like hunting a serial killer or facing middle age. Plus: are contemporary works of art too literal? It’s no fun if a novel or a movie tells to your face its theme and meaning. That’s the message of our movie, Movies Should Not Tell You Their Meaning.
Will Nancy Drew, the Hardy Boys, Encyclopedia Brown, or any of the other fictional teen sleuths ever grow up? We spoke with Tom Ryan, whose novel We Had a Hunch throws adult versions of kid detectives into several harrowing grown-up situations, from hunting a serial killer to the slow-dawning realization that they’ve become middle-aged.
Plus: are the creative works of our era too literal? It’s no fun if a novel or a movie tells to your face the theme and meaning you should take away from it. That’s the message of our movie, Movies Should Not Tell You Their Meaning.
We Had a Hunch by Tom Ryan is out now.
Works Cited this episode:
Nancy Drew mysteries, Franklin W. Dixon/the Stratemeyer Syndicate
Hardy Boys mysteries, Franklin W. Dixon/the Stratemeyer Syndicate
The Murder of Roger Ackroyd, Agatha Christie
Keep This to Yourself, Tom Ryan
The Treasure Hunters Club, Tom Ryan
Murder, She Wrote, created by Peter S. Fischer, Richard Levinson, and William Link
The Silence of the Lambs, dir. Jonathan Demme
“The New Literalism Plaguing Today’s Biggest Movies,” Namwali Serpell, The New Yorker
Anora, dir. Sean Baker
Cinderella, dir. Wilfred Jackson, Hamilton Luske, and Clyde Geronimi
Mad Men, created by Matthew Weiner
The Brutalist, dir. Brady Corbet
Invisible Man, Ralph Ellison
The Trial, Franz Kafka
Eradication, Jonathan Miles
The Housemaid, Frieda McFadden
Valley of the Dolls, Jacqueline Susann
The Daydreaming Boy, Micheline Aharonian Marcom
Outbreak, dir. Wolfgang Peterson
Friends, created by David Crane and Marta Kaufman
Field of Dreams, dir. Phil Alden Robinson
Shoeless Joe, W.P. Kinsella
Mikey and Nicky, dir. Elaine May
The Parker novels, Richard Stark
Tender is the Flesh, Agustina Bazterrica
The Jungle, Upton Sinclair
Sister Carrie, Theodore Dreiser
Episode 17: Interpretation and Ecstasy
We have too many reviews and not enough interpretive criticism. At least, that’s what Nathan says, and it seems to hold water. In our second segment, we engage with Ivy Pochoda’s latest novel, Ecstasy, which itself engages with the classical play The Bacchae. A cult of drunken women who kill the men? Sure, sounds cool.
We have too many reviews and not enough interpretive criticism. At least, that’s what Nathan says, and it seems to hold water. A true critique engages your intellect and raises questions, while a review just says whether you should watch that movie/read that book/listen to that podcast.
In our second segment, we engage with Ivy Pochoda’s latest novel, Ecstasy, which itself engages with the classical play The Bacchae. We’re not saying a cult of drunken women who kill the men would solve all our problems, but maybe it’s a start.
Ecstasy by Ivy Pochoda is available now
Works cited this episode:
I Know What You Did Last Summer, dir. Jim Gillespie
Return of the Jedi, dir. Richard Marquand
The Empire Strikes Back, dir. Irvin KershnerFargo, dir. Joel Cohen
Siskel & Ebert
“Fargo Forum: Minnesota, Masculinity, Mike Yanagita, and more,” Noel Murray, Keith Phipps, Nathan Rabin, Tasha Robinson, Matt Singer, Scott Tobias, The Dissolve
“Against Interpretation,” Susan Sontag
The Great Gatsby, F. Scott Fitzgerald
“In Defense of the Traditional Review,” Richard Brody, The New Yorker
Volcano, dir. Mick Jackson
“It Lavas L.A.,” Richard Corliss, TIME
Capital, Karl Marx
The Lord of the Rings, J.R.R. Tolkien
Wonder Valley, Ivy Pochoda
Sing Her Down, Ivy Pochoda
Pride and Prejudice, Jane Austen
The Bacchae, Euripides
Demon Copperhead, Barbara Kingsolver
David Copperfield, Charles Dickens
Lolita, Vladimir Nabokov
Liar Liar, dir. Tom Shadyac
30 Rock, created by Tina Fey
Episode 16: Literature for Aliens, and How to Be Perfect
Our hosts have ideas about what sort of books should have been included on the Voyager spacecraft, to support its heartwarming mission of spreading humanity to the stars. Would you have just sent the aliens your favorite book? Because maybe they don’t have the context to understand what a “Da Vinci Code” even is. And speaking of putting a lot of pressure on a book, TV creator Michael Schur’s How to Be Perfect put that pressure on itself. Philosophical ethics never sounded so good.
Our hosts have ideas about what sort of books should have been included on the Voyager spacecraft, to support its heartwarming mission of spreading humanity to the stars. Would you have just sent the aliens your favorite book? Because maybe they don’t have the context to understand what a “Da Vinci Code” even is. And speaking of putting a lot of pressure on a book, TV creator Michael Schur’s How to Be Perfect put that pressure on itself. Philosophical ethics never sounded so good.
How to Be Perfect by Michael Schur
Works cited this episode:
The Tragedy of Hamlet, Prince of Denmark, William Shakespeare
Bridgerton series, Julia Quinn
Fight Club, Chuck Palahniuk
Twilight, Stephenie Meyer
The Lord of the Rings, J.R.R. Tolkien
The Shawshank Redemption, Frank Darabont
To Kill a Mockingbird, Harper Lee
The Ride of the Valkyries, Richard Wagner
“Queen of the Night,” The Magic Flute, Wolfgang Amadeus Mozart
“Johnny B. Goode,” Chuck Berry
The Three-Body Problem, CIxin Liu
Contact, Carl Sagan
The Art of War, Sun Tzu
Silo, created by Graham Yost
Fox in Socks, Dr. Seuss
The Cat in the Hat, Dr. Seuss
Green Eggs and Ham, Dr. Seuss
Galaxy Quest, dir. Dean Parisot
The Tragedy of King Lear, William Shakespeare
The Office, developed by Greg Daniels
Parks and Recreation, created by Greg Daniels and Michael Schur
The Good Place, created by Michael Schur
The Apology of Socrates, Plato
Bill and Ted’s Excellent Adventure, dir. Stephen Herek
The Simpsons and Philosophy, William Irwin, Mark T. Conrad, Aeon J. Skoble, editors
Harry Potter and Philosophy: If Aristotle Ran Hogwarts, David Baggett, Shawn E. Klein, William Irwin, editors
The Legend of Zelda and Philosophy, Luke Cuddy, editor
Jimmy Buffett and Philosophy, Erin McKenna, Scott L. Pratt, editors
Radiohead and Philosophy, Brandon W. Forbes, George A. Reisch, editors
Chicken Soup for the Soul, Jack Canfield and Mark Victor Hansen
Zen and the Art of Motorcycle Maintenance, Robert Pirsig
Episode 15: Chris Hauty, author of Dead Ringer, and Books as (bad) gifts
Author and screenwriter Chris Hauty joined us to discuss his latest thriller, Dead Ringer, about a JFK assassination conspiracy—and if you think you’ve heard it all on this topic, we assure you this novel will take you somewhere unexpected. Then, we ponder why books are such popular gifts when they’re actually rather fraught as an item to give someone else.
Author and screenwriter Chris Hauty joined us to discuss his latest thriller, Dead Ringer, about a JFK assassination conspiracy—and if you think you’ve heard it all on this topic, we assure you this novel will take you somewhere unexpected. Chris shared his surprising influences and offered insights about where Hollywood and book publishing overlap (and where they don’t).
Then, we ponder why books are such popular gifts when they’re actually rather fraught as an item to give someone else. What if they don’t like it? Or you’re trying too hard? Or … what if we’re overthinking this topic. Hmm.
Dead Ringer by Chris Hauty is out now.
Works cited this episode:
Crossroads, Jonathan Franzen
Notes of a Dirty Old Man, Charles Bukowski
Once Upon a Time in Hollywood, dir. Quentin Tarantino
Sniper: Ultimate Kill, dir. Claudio Fäh
Three Days of the Condor, dir. Sydney Pollack
Winter’s Bone, dir. Debra Granik
Winter’s Bone, Daniel Woodrell
The Da Vinci Code, Dan Brown
The Gift, Lewis Hyde
“The Gift of the Magi,” O Henry
Profiles in Courage, John F. Kennedy
Kon-Tiki, Thor Heyerdahl
Jurassic Park, Michael Crichton
Dog Man, Dav Pilkey
Our Share of Night, Mariana Enriquez
Sister Sinner: The Miraculous Life and Mysterious Disappearance of Aimee Semple McPherson, Claire Hoffman
They Flew: A History of the Impossible, Carlos Eire
Why? The Purpose of the Universe, Philip Goff
The Nickel Boys, Colson Whitehead
“Don’t Buy Me Books,” Katherine Marciniak, Bookriot
Bonus Episode: We Hate ‘Best Books’ Lists. Plus: Our 2025 ‘Best Books’ List!
All those “best books of the year” lists are bogus marketing material that flatten the distinct reading experience that an individual brings to a book they interact with. We tore apart the very concept of those lists in this episode. Then we shared our own Best Books list! Hypocrisy, or the nuanced ability to delicately balance competing perspectives? Eh.
All those “best books of the year” lists are bogus marketing material that flatten the distinct reading experience that an individual brings to a book they interact with. We tore apart the very concept of those lists in this episode. Then we shared our own Best Books list! Hypocrisy, or the nuanced ability to delicately balance competing perspectives? Eh.
Also, what is Author X up to with that crummy novel they released this year? Blind and not-so-blind items on the year’s worst books.
Works cited this episode:
NPR’s Books We Love
New York Times 100 Notable Books of 2025
Sunshine on the Reaping, Suzanne Collins
Audition, Katie Kitamura
Spent, Alison Bechdel
“In Defense of the Traditional Review,” Richard Brody, The New Yorker
Luminous, Silvia Park
Audition, Pip Adam
Terrestrial History, Joe Mungo Reed
What We Can Know, Ian McEwan
The Three-Body Problem, Cixin Liu
Shadow Ticket, Thomas Pynchon
Of Monsters and Mainframes, Barbara Truelove
The Merge, Grace Walker
Severance, created by Dan Erickson
Severance, Ling Ma
The Unveiling, Quan Barry
Will There Ever Be Another You, Patricia Lockwood
Bind Me Tighter Still, Lara Ehrlich
Old Soul, Susan Barker
Metallic Realms, Lincoln Michel
Pale Fire, Vladimir Nabokov
Alchemised, SenLinYu
Episode 13: Short Stories We Love, Part 2
We bring you more Short Stories We Love, the results of Nathan scouring the literary magazine world to find writers who deserve a closer look. In this episode, Joey Hedger brings us a tale of cancer and terrible liqueur; Glenn Clifton joins from Canada with a story of viral infamy and relationships; and Patricia Q. Bidar shares an ode to her hometown that also features a massive explosion.
We’re back with more Short Stories We Love, after Nathan scoured the literary mags to find writers who deserve a closer look. Short stories aren’t just for The New Yorker! In this episode, Joey Hedger brings us a tale of cancer and terrible liqueur; Glenn Clifton joins from Canada with a story of viral infamy and relationships; and Patricia Q. Bidar shares an ode to her hometown featuring a massive explosion.
“Her Jesus Year” by Joey Hedger is in HAD
“What You Are Looking For Is What Is Looking” by Glenn Clifton is in The Ex-Puritan
“Port Town” by Patricia Q. Bidar is in Waxwing
Works cited this episode:
No One is Talking About This, Patricia Lockwood
Deliver Thy Pigs, Joey Hedger
“Bottom’s Dream,” Glenn Clifton
“Finding the Form,” Glenn Clifton
“Al Roosten,” George Saunders
The Circle, Dave Eggers
Spaceballs, dir. Mel Brooks
The Jetsons, Hanna-Barbera
So You’ve Been Publicly Shamed, Jon Ronson
Baywatch, created by Michael Berk, Douglas Schwartz, and Gregory J. Bonann
“T Rex,” Patricia Q. Bidar